It truly is a food truck with only one item that is easy to eat. The catch is there is not really any table seating dedicated to this spot. 4 Rivers Cantina TruckīBQ in a bread cone is what this little truck is known for, but they have burrito bowls, tacos, and quesadillas. When asked about a script rewrite for the witch, he just said, "All the dialogue sounded bad to me until she read it.Yes Honorable Mentions at Disney Springs:īelow are the food carts and trucks that can be snacks or used as a light quick service meal. Her secret? "I just took out my teeth," she explained. At first, Cottrell wasn't impressed with LaVerne's peddler, but then she excused herself and came back to the recording booth with a perfect take. "It was blood curdling."ĭisney had originally planned to cast separate actors as the Queen and her false face, but LaVerne was too good at both to play just one. After seeing a bunch of these, they all seemed rather uninteresting because you'd heard the same thing on radio for so many years." But that changed when LaVerne shook him awake - "It rang over the soundstage," he said of her cackle. They all had a pattern that was a cliché. In their article "Who Was Lucille LaVerne?" Cartoon Research examines the woman behind the witch, quoting sequence director Bill Cottrell: "When the voices were brought in, there were radio shows that had witches in them, old crones. The story team got as far as developing possible gags for these locations like birds flying tail-first and trees growing roots-up before they realized a movie called "Snow White and the Seven Dwarfs" could only drag its feet so long before it got to the dwarfs. This version would have taken Snow White on a whole Odyssey's worth of journeys through strange locations before she even met the dwarfs, including the Morass of Monsters, the Valley of Dragons, Sleep Valley, Upsidedownland, and Backwardland. It's even harder to imagine it could have had the same impact if Disney had stretched it out as long as they planned to in the first plot outline. In "The Art of Walt Disney," Christopher Finch shares some early, even more episodic versions of "Snow White." The sequence of Snow White running through the dark woods to escape the Queen is so iconic it's hard to believe it lasts just over a minute. But you can see the movie's roots even more clearly when you look at the versions of it that didn't make it to the screen.
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